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MOCA Grand Avenue
Inspired by Sol Lewitt’s Sentences on Conceptual Art as famously crooned by John Baldessari, Songs on Conceptual Art convenes a significant collection of innovative musicians and artists, each composing and performing a song based on one of Lewitt’s lines. Organized by Crystal Baxley and Stefan Ransom, this concert and its accompanying album include Lucky Dragons, DAVIS HOOKER, Dunes, Giggles, Jordan Dykstra, LA Ladies Choir, Caspar Sonnet, Dragging an Ox Through Water, Brenden Fowler, and Sun Foot.
FREE
Check out the full performance schedule HERE>>
Inspired by Sol Lewitt’s Sentences on Conceptual Art as famously crooned by John Baldessari, Songs on Conceptual Art convenes a significant collection of innovative musicians and artists, each composing and performing a song based on one of Lewitt’s lines. Organized by Crystal Baxley and Stefan Ransom, this concert and its accompanying album include Lucky Dragons, DAVIS HOOKER, Dunes, Giggles, Jordan Dykstra, LA Ladies Choir, Caspar Sonnet, Dragging an Ox Through Water, Brenden Fowler, and Sun Foot.FREE
Check out the full performance schedule HERE>>
Songs on Conceptual Art
20120811T130000
20120811T130000
1pm
Inspired by Sol Lewitt’s Sentences on Conceptual Art as famously crooned by John Baldessari, Songs on Conceptual Art convenes a significant collection of innovative musicians and artists, each composing and performing a song based on one of Lewitt’s lines. Organized by Crystal Baxley and Stefan Ransom, this concert and its accompanying album include Lucky Dragons, DAVIS HOOKER, Dunes, Giggles, Jordan Dykstra, LA Ladies Choir, Caspar Sonnet, Dragging an Ox Through Water, Brenden Fowler, and Sun Foot.
FREE
Check out the full performance schedule HERE>>
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MOCA Grand Avenue
The Painting Factory: Abstraction after Warhol explores the recent transformation of abstract painting into one of the most dynamic platforms in contemporary art. The exhibition will address a painting tradition that was once seen as essentially reductive but has now become expansive, merging popular culture and current technology into its vocabulary, including works by Tauba Auerbach, Mark Bradford, DAS INSTITUT (Kerstin Brätsch and Adele Röder), Urs Fischer, Wade Guyton, Glenn Ligon, Julie Mehretu, Seth Price, Sterling Ruby, Josh Smith, Rudolf Stingel, Kelley Walker, Andy Warhol, and Christopher Wool.
The Painting Factory: Abstraction after Warhol explores the recent transformation of abstract painting into one of the most dynamic platforms in contemporary art. The exhibition will address a painting tradition that was once seen as essentially reductive but has now become expansive, merging popular culture and current technology into its vocabulary, including works by Tauba Auerbach, Mark Bradford, DAS INSTITUT (Kerstin Brätsch and Adele Röder), Urs Fischer, Wade Guyton, Glenn Ligon, Julie Mehretu, Seth Price, Sterling Ruby, Josh Smith, Rudolf Stingel, Kelley Walker, Andy Warhol, and Christopher Wool.
The Painting Factory: Abstraction after Warhol
The Painting Factory: Abstraction after Warhol
20120811
20120811
Apr 29, 2012-Aug 20, 2012
The Painting Factory: Abstraction after Warhol explores the recent transformation of abstract painting into one of the most dynamic platforms in contemporary art. The exhibition will address a painting tradition that was once seen as essentially reductive but has now become expansive, merging popular culture and current technology into its vocabulary, including works by Tauba Auerbach, Mark Bradford, DAS INSTITUT (Kerstin Brätsch and Adele Röder), Urs Fischer, Wade Guyton, Glenn Ligon, Julie Mehretu, Seth Price, Sterling Ruby, Josh Smith, Rudolf Stingel, Kelley Walker, Andy Warhol, and Christopher Wool.
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The Geffen Contemporary at MOCA
Cai Guo-Qiang: Sky Ladder is the first West Coast solo museum exhibition of the work of artist Cai Guo-Qiang. Known for his explosion projects and gunpowder drawings. Cai’s work integrates manual technique and new, highly sophisticated developments in pyrotechnic technology. The exhibition will be composed of an outdoor explosion event, a suspended sculptural installation, three gunpowder drawings, and video compilations, which together press Cai’s exploration of natural forces and extraterrestrial life.
Cai Guo-Qiang: Sky Ladder is the first West Coast solo museum exhibition of the work of artist Cai Guo-Qiang. Known for his explosion projects and gunpowder drawings. Cai’s work integrates manual technique and new, highly sophisticated developments in pyrotechnic technology. The exhibition will be composed of an outdoor explosion event, a suspended sculptural installation, three gunpowder drawings, and video compilations, which together press Cai’s exploration of natural forces and extraterrestrial life.
Cai Guo-Qiang: Sky Ladder
Cai Guo-Qiang: Sky Ladder
20120811
20120811
Apr 8, 2012-Sep 3, 2012
Cai Guo-Qiang: Sky Ladder is the first West Coast solo museum exhibition of the work of artist Cai Guo-Qiang. Known for his explosion projects and gunpowder drawings. Cai’s work integrates manual technique and new, highly sophisticated developments in pyrotechnic technology. The exhibition will be composed of an outdoor explosion event, a suspended sculptural installation, three gunpowder drawings, and video compilations, which together press Cai’s exploration of natural forces and extraterrestrial life.
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The Geffen Contemporary at MOCA
Ends of the Earth: Land Art to 1974 is the first large-scale, historical-thematic exhibition to deal broadly with Land art, capturing the simultaneous impulse emergent in the 1960s to use the earth as an artistic medium and to locate works in remote sites far from familiar art contexts. Organized by MOCA Senior Curator Philipp Kaiser and co-curator Miwon Kwon, Professor of Art History at UCLA, the exhibition will highlight the early years of untested artistic experimentations and conclude in the mid-1970s before Land art becomes a fully institutionalized category.
Ends of the Earth: Land Art to 1974 is the first large-scale, historical-thematic exhibition to deal broadly with Land art, capturing the simultaneous impulse emergent in the 1960s to use the earth as an artistic medium and to locate works in remote sites far from familiar art contexts. Organized by MOCA Senior Curator Philipp Kaiser and co-curator Miwon Kwon, Professor of Art History at UCLA, the exhibition will highlight the early years of untested artistic experimentations and conclude in the mid-1970s before Land art becomes a fully institutionalized category.
Ends of the Earth: Land Art to 1974
Ends of the Earth: Land Art to 1974
20120811
20120811
May 27, 2012-Sep 3, 2012
Ends of the Earth: Land Art to 1974 is the first large-scale, historical-thematic exhibition to deal broadly with Land art, capturing the simultaneous impulse emergent in the 1960s to use the earth as an artistic medium and to locate works in remote sites far from familiar art contexts. Organized by MOCA Senior Curator Philipp Kaiser and co-curator Miwon Kwon, Professor of Art History at UCLA, the exhibition will highlight the early years of untested artistic experimentations and conclude in the mid-1970s before Land art becomes a fully institutionalized category.
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MOCA Pacific Design Center
This new installation by Amanda Ross-Ho encompasses architectural elements, large-scale paintings, fabricated objects, textiles, and photographs created specifically for the MOCA Pacific Design Center. AMANDA ROSS-HO: TEENY TINY WOMAN evolves her continued interest in translation, scale, and the authored collapse of authentic gesture and performance. Her work interrogates intimate territories of experience, toggling between the context of production and the context of reception, to create an infinite loop of meaning.
This new installation by Amanda Ross-Ho encompasses architectural elements, large-scale paintings, fabricated objects, textiles, and photographs created specifically for the MOCA Pacific Design Center. AMANDA ROSS-HO: TEENY TINY WOMAN evolves her continued interest in translation, scale, and the authored collapse of authentic gesture and performance. Her work interrogates intimate territories of experience, toggling between the context of production and the context of reception, to create an infinite loop of meaning.
AMANDA ROSS-HO: TEENY TINY WOMAN
AMANDA ROSS-HO: TEENY TINY WOMAN
20120811
20120811
Jun 23, 2012-Oct 7, 2012
This new installation by Amanda Ross-Ho encompasses architectural elements, large-scale paintings, fabricated objects, textiles, and photographs created specifically for the MOCA Pacific Design Center. AMANDA ROSS-HO: TEENY TINY WOMAN evolves her continued interest in translation, scale, and the authored collapse of authentic gesture and performance. Her work interrogates intimate territories of experience, toggling between the context of production and the context of reception, to create an infinite loop of meaning.
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