October 2012

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Saturday, October 20 at MOCA Grand Avenue
The Panza Collection and Selections from Major Gifts of Beatrice and Philip Gersh, Rita and Taft Schreiber, and Marcia Simon Weisman
Aug 20, 2012-Feb 10, 2013

The Museum of Contemporary Art, Los Angeles, presents The Panza Collection and Selections from Major Gifts of Beatrice and Philip Gersh, Rita and Taft Schreiber, and Marcia Simon Weisman, now on view through January 14, 2013 at MOCA Grand Avenue. The exhibition celebrates the core of the museum's internationally renowned collection, which evolved as a result of the acquisition of The Panza Collection in 1984, considered at the time as one of the world's most important acquisitions of contemporary art and a turning point in the museum's early history. This exhibition also marks the first time since 2000 that almost the entire Panza Collection has been presented at MOCA. Installed by MOCA Senior Curator Alma Ruiz, The Panza Collection and Selections from Major Gifts of Beatrice and Philip Gersh, Rita and Taft Schreiber, and Marcia Simon Weisman features 92 works, comprising paintings, sculptures, and works on paper that serve both as evidence of the intellectual and emotional challenge that is involved in collecting and as a testament to exemplary civic patronage and its enduring legacy in the cultural growth of Los Angeles.

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Saturday, October 20 at MOCA Grand Avenue
Destroy the Picture: Painting the Void, 1949–1962
Destroy the Picture: Painting the Void, 1949–1962
Oct 6, 2012-Jan 14, 2013

Destroy the Picture: Painting the Void, 1949–1962 focuses on one of the most significant consequences of the rise of abstraction in 20th-century painting: artists' literal assault on the picture plane. Responding to the social and political climate of the postwar period—especially the crisis of humanity resulting from the atomic bomb—artists in the United States and abroad ripped, cut, burned, or affixed objects to the traditionally two-dimensional canvas. Painting the Void marks the first time that these strategies have been considered together as a coherent mode of artistic production. The exhibition presents an opportunity to reconsider the profound repercussions of this approach in the realm of painting: from artists’ early experiments with the materiality of gesture, to the expansion of the medium to incorporate performance, time-based, and assemblage strategies. The exhibition focuses in particular on many of the earliest experiments of artists who moved the two-dimensional medium of painting towards the three-dimensionality of sculpture.

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Saturday, October 20 at The Geffen Contemporary at MOCA
MOCA Members' Opening: Blues for Smoke
MOCA Members' Opening: Blues for Smoke
213-621-1794 or membership1@moca.org
7pm

MOCA members are invited to join us for the opening of Blues for Smoke, a major interdisciplinary exhibition exploring a wide range of contemporary art, music, literature, and film through the lens of the blues and "blues aesthetics."

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Saturday, October 20 at The Geffen Contemporary at MOCA
MOCA Members' Opening: Taryn Simon
MOCA Members' Opening: Taryn Simon
213-621-1794 or membership1@moca.org
7pm

MOCA members are invited to join us for the opening of Taryn Simon: A Living Man Declared Dead and Other Chapters I–XVIII, a powerful and elaborately constructed photographic work produced over a four-year period, during which the artist travelled around the world researching and recording "bloodlines" and their related stories.

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